Velasquez and Burne Jones was painted for the prestigious art show, Artists for the New Century. The artists for this invitational show were nominated by the editors of American Art Collector, Southwest Art, and Fine Art Conniosseur magazines. The textures and the way the light play on the fresh fruit contrasts with the earthiness of old leather-bound volumes. I simply I loved painting it. Artist for the New Century will run June 6 and runs through July 14, 2012 at The Bennington Center for the Arts, Bennington, Vermont.
Author Archives: Michael Lynn Adams
A Meyer Lemon is nothing like your ordinary store-bought lemon. Its skin smoother with a color that leans toward gold. Their juice is sweet with a hint of orange through the subtle tartness. The truth is I am infatuated by their look, especially when washed by the southern light from our kitchen window. Even though our tree is loaded with these wonderful fruits in the winter, they remind me of warm summer days.
I love books. Not just to use them as models, but to actually read them. I have compiled this list from my bookshelves and the recommendations from several artists friends.
Sometimes I feel compelled to paint a subject for no reason other than to satisfy an obsession. This is one of those times. The books belonged to my grandfather. Given to him in 1910 and subsequently came into my possession. As realist still life painter I feel a connection to Chardin, one of the greatest still life painters ever. Vermeer is an artist whose little paintings tower over nearly every artist before and after him. I am always inspired by the intimacy of his work. And of course there is Degas, Millet and so many wonderful artist who have added so much beauty to my life and who have led me to see the world anew time and time again.
There was something a little melancholy about Arles. Beauty is found there. At the heart of the city, I was surprised and impressed by the well preserved Roman amphitheater and the arena – which is undergoing a very dramatic restoration.
Of course Arles’ most famous – perhaps infamous – resident was Vincent Van Gogh. This is where some of his finest paintings were created – “Starry Night”, “The Cafe with the Yellow Awning,” “The Postman”. It is also where Gaugin lived with Vincent for a short time until Vincent’s troubling behavior became too much to tolerate. After Vincent’s notorious breakdown when he sliced a piece of his ear off and presented it to a prostitute, the people of Arles had him arrested and petitioned him to be expelled from the city. That led to his move to the asylum in St. Remy.
The copper bowl used in Sunshine Bowl is usually on our mantle. We filled it full of ripe Meyer lemons from a backyard tree. I am always amazed at the bounty of fresh citrus we get in the winter. Lemons often make an appearance in my paintings. They symbolize life. Storing energy from the summer sun and the nutrition from the earth, they are the perfect, healthful fruit.
St. Remy in Provence offers so many sensual treats. Golden sunrise – didn’t see many of those as we also love to sleep in. The herbs and flowers in the garden giving up subtle hints of their afternoon perfume But the best is the fragrance of coffee and fresh baked French breads. Flaky or crisp crusted, French breads are the best in the world. I loved the contrast of the woven basket, white cotton lining and the golden breads. On a weathered teak wood table, under a canopy of trees caressed with soft Provencal morning sunlight – what a great way to wake up my sleepy eyes.
Morning – demonstration part 3 • More color is beginning to appear. This painting is all about warm against cool color and the values cast by the light. I am keeping the color thin to take advantage of the linen texture. I really don’t want the brush strokes to distract from areas of softness. […]
Morning – demonstration part 2 • The strong overhead light and reflected light bouncing all over the place in the bathroom are elements I am concentrating on here. I continued lifting to create highlights. Lifting is a technique of rubbing away the under painting leaving different values of color as more or less of […]
Morning – demonstration part 1 of 3 • I thought is was time to mix it up a little bit after a year of still life paintings. For the past week I have been working on this figure. For reasons I do not completely understand I like to linger on figurative paintings. Taking my […]