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From concept to finished painting, in this oil painting demo, Michael Lynn Adams explains why and how he captures a peony’s soft, luminous texture by placing it on hundred-year-old art books.
Category Archives: Painting How To
Andres Leonard Zorn (1860-1920) is known for using a limited palette. It is believed that Zorn reduced his palette to as few as three rather earthy colors – Yellow Ochre, Cadmium Red Medium, Ivory Black plus White. There seems to be some disagreement over the exact number of colors on his palette. Some lists add Vermillion, Viridian, and/or Cerulean Blue.
I often use a harmonic symmetry armature to check and refine my compositions and as a guide for drawing my composition onto a canvas. Here, I explain with text and video, what it is; and why and how I use harmonic symmetry.
From concept to finished painting, in this oil painting demo, Michael Lynn Adams explains why and how he captures its soft, luminous texture and intoxicating aroma by placing it on hundred-year-old art books.
We picked the lemons, and placed them on a wooden tray bathed in the warm glow of our kitchen window. We intended to craft margaritas, this spontaneous moment ignited my creative spirit, leading me to explore the world of art. In this step-by-step guide to painting Meyer Lemons, I’ll share my inspiration and the creative process behind this painting.
Step-by-step oil painting tutorial. I walk you through my process of painting White Roses.
I painted Plums after harvesting them at a friend’s farm. This tutorial takes you step-by-step through my process of painting, Plums.
Michael Lynn Adams shares how Richard Schmid’s color chart exercise saved his art career.
Creating beautiful oil paintings without poisoning myself and the world is important to me. I have been oil painting for nearly four decades and have never been happier than when I paint with M. Graham & Co. walnut oil based paints. Over the years I have tried nearly every high-priced professional art oils on the market and I keep coming back to M. Graham.
Recently old photographs of my family have fascinated and inspired me to reinterpret them in paint. Its a special way to connect to some really wonderful people. Here, for example, is my aunt Lolo, and my father, Richard in 1927. They were Americans both born in Paris, France during the 1920s when my grandfather, Lewis Adams, was studying architecture at the École des Beaux Arts.
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