How to Paint White Mums in Oils: Step-by-Step

First posted in 2013 – upated in 2026

White Mums features a blue and white vase with white chrysanthemums (of course). Unlike most of the flowers I use, these were not from our garden but store-bought from a charming little flower store inside a local supermarket, ha. I love the way light plays with the surfaces, especially the depth and reflectivity of the vase and how it contrasts with the mum’s flat, light-absorbing leaves and stems. There are also the added elements of the mum’s spidery white petals and the glossy granite surface of our kitchen island.

Step 1-4: Drawing, Block-in with wash

At this stage, the painting hardly looks anything like what I have described. But it will.

The above pictures shows the first four steps of the painting. All my paintings start with an underdrawing. That is the bones that all else hangs upon. After the drawing, come color washes for the background to give me a middle tone to work off of. Use rags and brushes; I then lift color to define the lighter shape. Then block in a solid underpainting with darker passages that will give the painting depth and glow at a later stage.

I will be doing quite a bit of color modulation in this piece. I hope to create a painting that will feel solid yet light and airy.

Step 5-8: Building Details

The mums are coming along just fine. After the initial block in and color lift, I contoured the vase a bit and worked on the flower pedals. And in the bottom row, the blossoms have become quite yellow. That is all part of the plan. That underpainting, along with the in-red in the shadows under them (anchoring them to the surface), will be very useful as the piece progresses. This painting will be about the whiteness of the mums, but white is rarely really white, is it?

Step 9: Finished

The final steps are refining, fixing edges by making them softer or harder to get the feel I am looking for. And the finished painting. 

Mums and Chinese Vase
20×16 inches | oil on canvas

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